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The Ugly Duckling or the Strange Grey Duckling
Yesterday at work, some children were unkind to another child with the standard ‘ I don’t want to be your friend’ line, which is hurtful. A standard adult response is ‘We are all friends here’ but we know this to be untrue. However, ‘We all try to be friendly here’ rings a truer bell and can be followed through with more success. After this conversation, a student and I looked through a great basket of books labelled ‘Friendship and feelings’ which was on the centre shelf. We found a few good ones and I wondered about telling the story of ‘The Ugly Duckling’, and said I would do it as a prop supported story the next day.
When I got home, I had second thoughts because the original is hugely long. Then I read a comment about it from wikipedia which made me wonder if it were an appropriate story after all.
Bruno Bettelheim observes in The Uses of Enchantment that the Ugly Duckling is not confronted with the tasks, tests, or trials of the typical fairy tale hero. “No need to accomplish anything is expressed in “The Ugly Duckling”. Things are simply fated and unfold accordingly, whether or not the hero takes some action.” In conjunction with Bettelheim’s assessment, Maria Tatar notes in ’’The Annotated Hans Christian Andersen’’ that Andersen suggests the Ugly Duckling‘s superiority resides in the fact that he is of a breed different from the barnyard rabble, and that dignity and worth, moral and aesthetic superiority are determined by nature rather than accomplishment.[1] Not cool.
A third reservation arose when I thought about the word ‘ugly’. This word does not appear to be in the vocabulary of most four and five year olds wherever I have worked, and I certainly don’t want to be responsible for introducing such an insidious and cruel form of unkindness. So even the title had to be changed to ‘The Grey duckling’..
To overcome these problems and to make it pertinent to the issue, unkindness to fellow children, I decided to make various changes.
I wanted …
1 to make it shorter
2 to make it about a duckling that was different, bigger and ‘grey’, rather than yellow.And certainly not ‘ugly’.
3. i wanted to make it a girl, but there is a bit where a spiteful chicken says the following line : ‘My advice to you is to either learn to purr or to lay eggs’. I was reluctant to throw away such a line…… so he stayed a boy, but I would like it to have been a girl, because girls are more prone to the exclusion game in my view. I remember doing it myself, and today at work the student recalled a child at her school who was shunned by all because he was always dirty. In retrospect she realises why there were always two white lines running down his cheeks from his eyes, that they were made by the tears which had washed away the dirt. she still remembers his name and his sadness.
4. I wanted to ensure that the duckling was portrayed as proactive, kind, helpful and warm hearted.
Then I googled ‘storytelling to encourage kindness between children’ and found an amazing page in a book about Vygotsky…. it won’t let me cut and paste from the sample pages but the page number is 300 and the link is http://books.google.co.nz/books?id=GUTyDVORhHkC&pg=PA300&lpg=PA300&dq=storytelling+for+preschoolers+who+are+unkind+to+their+friends&source=bl&ots=txcJUJHcvN&sig=BXsw-NU1GPtY9HlG84bbxSWqnjw&hl=en&sa=X&ei=Q7JpVLmzFsa7mQXD84CoCw&ved=0CEUQ6AEwBg#v=onepage&q=storytelling%20for%20preschoolers%20who%20are%20unkind%20to%20their%20friends&f=false
And then I started to edit the story…. but still need to chop it more. i combined the ideas of the wild ducks and the wild geese and had the ducks get shot and fall into the water beside the duckling.
Today at work we had the storytelling squares but the weather was so glorious that they were mostly outside and creating stories is a great rainy afternoon sort of event. But we were drawing and I drew the key picture for the ‘strange grey duckling who was different’. Which was wonderful and makes me want to write another post all about the ethics and dilemmas about drawing for, or in front of children. But it definitely is another post.
I came home for lunch and ended up grabbing a few cloths and objects and taking them back to work on the off-chance that I could try telling the story in the last 15 minute mat time slot. Which I ended up doing. To a silent, attentive and very absorbed audience. It is a complex plot and I used my drawing occasionally to make a point and I used my props and I invented things on the spot that made the ‘duckling’ a kind-hearted animal who never gave up being considerate and kind even when very downtrodden.
I noticed that I felt a catch in my throat when I got to the end and he bows his head and waits for them to attack and instead sees his reflection in the still water.
I forgot to do my musical introduction, so I backtracked and did it after the second picture, and they loved it. So do I!!
The edited story will appear in a later post.
Key characteristics of a successful short story to tell to children.
Firstly there is the structure and content and then there are the crucial characteristics of successful delivery…. This is my summary of those qualities. And here is a link to a winning story based commercial which fills each and every one of the content criteria. It is not a story told orally, but it could be so very easily… with a few props and a few minutes spent memorising the plot. http://www.youtube.com/watch?v=uQB7QRyF4p4. Interestingly, I once found a folk tale about a dog and an elephant, which basically follows a similar plot line and would be just as easy to act out, and tell. http://www.culturalindia.net/indian-folktales/jataka-tales/elephant-and-dog.html
check out these images of dog and elephant friendships!
Key qualities of a good story to tell with children and ways to tell it.
Content of story
Brevity
Simplicity
Quality of repetition – phrases, motif, rhymes, patterns of three
Clear beginning and end, with beginning that cuts to the chase
Content somehow relates to our known everyday experiences
Limited number of characters
Some challenge/conflict/ problem to be overcome…moments of tension
S/hero is in some ways transformed through the events of the story… wiser, stronger, richer, humbler, more loving, etc
Definite ending/climax/ safe home again etc
Events and characters introduced early on are woven in again by the end.
Manner of delivery
Introducing it with music, a chant or a verse or a call and respond chant
Setting it out with respect and ceremony
Make eye contact
Vary pace, tone, volume
Be very involved yourself. Believe in it, be the story as you tell it
Feel smell, hear, touch things …use your body language to engage their senses
Opportunities to participate and contribute…sounds , songs, ideas, names
Address children by name
Relate it to the children’s experience
Include new words of a repeated refrain or verse to tune of well known rhyme
Use your voice gently – don’t over emote
Emphasise the verbs…rather than the nouns
Avoid words like beautiful, nice, and yummy. Use specific, precise, interesting words
The power of storytelling
Bushman story telling

The power of storytelling
(click on title to view)
This poster demonstrates, in a very simple form, some of the practical applications which I cover. Exploring ways to support children to create their own written and illustrated story is really almost another session, but inevitably each workshop touches on all the various aspects and is, in any case, designed to meet your specific needs. Some centres really want to learn more about the theoretical justifications for oral storytelling and others want to dive straight into the practice and have a go at being a storyteller.